valentino
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OK AJ a girl for you (work safe)here you go, a lovely red head - phworrrr
I had originally taken these without any lens filters but fancied trying to make them a little softer so in Photoshop (a guide may follow if wanted) I duplicated the original layer then on the new layer set the blend mode to overlay and added a slight guazian blur. This has the effect of adding vibrancy to the colour whilst evening out the skin and adding a little softness (something lacking in this sharp digital age!?!). Then a quick layer mask to remove the blur from the iris.
Hope you approve
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uncle aj
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Re: OK AJ a girl for you (work safe) | valentino wrote: |
I had originally taken these without any lens filters but fancied trying to make them a little softer so in Photoshop (a guide may follow if wanted) I duplicated the original layer then on the new layer set the blend mode to overlay and added a slight guazian blur. This has the effect of adding vibrancy to the colour whilst evening out the skin and adding a little softness (something lacking in this sharp digital age!?!). Then a quick layer mask to remove the blur from the iris.
Hope you approve |
I'd always approve a buxom young wench.
Her arms look a bit burnt out in several of the pictures, so much so that they sometimes disappear. Was that intentional?
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valentino
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its the current vogue but also never lose 100% detail on my calibrated screen. Your eyes probably don't cope so much with contrast these days.... ;)
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uncle aj
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| valentino wrote: | | its the current vogue but also never lose 100% detail on my calibrated screen. Your eyes probably don't cope so much with contrast these days.... ;) |
I can see all the muck in the gaps between the floorboards. Why don't you clone it out?
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valentino
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they are there by design, I really got fed up with a totally clean white background, the floorboards really help break down the shot and help give orientation to the subject.
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uncle aj
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| valentino wrote: | | they are there by design, I really got fed up with a totally clean white background, the floorboards really help break down the shot and help give orientation to the subject. |
Write down 50 times, "I must come up with a better excuse."
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valentino
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| uncle aj wrote: | | valentino wrote: | | they are there by design, I really got fed up with a totally clean white background, the floorboards really help break down the shot and help give orientation to the subject. |
Write down 50 times, "I must come up with a better excuse."  |
No excuse, 100% facts ;)
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uncle aj
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| valentino wrote: | | uncle aj wrote: | | valentino wrote: | | they are there by design, I really got fed up with a totally clean white background, the floorboards really help break down the shot and help give orientation to the subject. |
Write down 50 times, "I must come up with a better excuse."  |
No excuse, 100% facts ;) |
Any more lip and it's the cane for you..........................although I think last time, you enjoyed it.
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Tools
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So, where's the non-work safe version
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uncle aj
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| Tools wrote: | So, where's the non-work safe version
 |
Oh no, there goes the forum.
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valentino
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| Tools wrote: | So, where's the non-work safe version
 |
hopefully working on some shots with the old zeplins out at the weekend
she said if I get her drunk enough she might, hell if I get her drunk enough.....
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uncle aj
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| valentino wrote: | | Tools wrote: | So, where's the non-work safe version
 |
hopefully working on some shots with the old zeplins out at the weekend
she said if I get her drunk enough she might, hell if I get her drunk enough..... |
It's my round!!
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